汉语方言的连读变调模试(当代语言学文库)(2) 作者:Matthew Y.Chen

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书名:汉语方言的连读变调模试(当代语言学文库)(2)
作者:Matthew Y.Chen
译者:
出版社:外语教学与研究出版社
价格:49.9元

简介

Matthew Chens landmark study offers the most comprehensive analysis to date of the rich and complex patterns of tone used in Chinese languages. Chinese has a wide repertoire of tones which undergo often surprising changes when they are connected in speech flow. The term tone sandhi refers to this tonal alternation. Chen examines tone sandhi phenomena in detail across a variety of Chinese dialects. He explores a range of important theoretical issues such as the nature of tonal representation, the relation of tone to accent, the prosodic domain of sandhi rules, and the interface between syntax and phonology. His book is the culmination of a ten-year research project and offers a wealth of empirical data not previously accessible to linguists. Extensive references and a bibliography on tone sandhi complete this invaluable resource which will be welcomed as a standard reference on Chinese tone. Having taught for many years at the University of California, San Diego, MATTHEW CHEN is Professor and Chair of Linguistics and Dean of the Humanities and Social Sciences faculty at the City University of Hong Kong. He is author of From Middle Chinese to Modern Peking (1976) and, with John Newman, From Middle Chinese to Modern Cantonese (1985). He has written numerous articles on linguistics and is Associate Editor of the Journal of Chinese Linguistics.

目录 Preface by Halliday 王宗炎序 Preface by Chomsky 沈家煊序导读 Preface Notational conventions 1 Setting the stage 1 Languages and dialects of China 2 Historical background 3 Tone patterns in present day dialects 4 Tones in context 5 Synchronic relevance of diachrony 6 Citation tone, base tone, sandhi tone 2 Tonal representation and tonal processes 1 Tonal representation 2 The autosegmental status of tone 3 Tonal geometry and the typology of spread/shift rules 4 Dissimilation and substitution 5 Neutralization and differentiation Appendix Tone features 3 Directionality and interacting sandhi processes I 1 The nature of the problem 2 Tianjin: directionality effect 3 A derivational account 4 Constraints on derivation 5 A non-derivational alternative 6 Cross-level constraints 7 Harmonic serialism 8 Concluding remarks 4 Directionality and interacting sandhi processes II 1 Changting: preamble 2 Temporal Sequence and No-Backtracking 3 Temporal sequencing vs. structural affinity 4 Derivational economy and structural complexity 5 Concluding remarks 5 From base tones to sandhi forms: a constraint-based analysis 1 Background 2 Parallel constraint satisfaction 3 Constraint ranking 4 Opacity 5 Competing strategies Appendix Sandhi forms of disyllabic compounds New Chongming dialect 6 From tone to accent 1 Shanghai: an aborted accentual system 2 New Chongming: an emergent accentual system 3 Culminative accent 4 Saliency and Edgemostness 5 Prosodic weight and recursive constraint satisfaction 6 Tonic clash 7 Semantically determined prominence 8 Leveling 7 Stress-foot as sandhi domain I 1 The phonological status of stress in Chinese 2 Stress-sensitive tonal phenomena 3 Shanghai: stress-foot as sandhi domain 8 Stress-foot as sandhi domain II 1 Wuxi: stress shift 2 Danyang: asymmetric stress clash 3 Nantong: stress-foot and p-word 9 Minimal rhythmic unit as obligatory sandhi domain 1 Minimal rhythmic units 2 A two-pass MRU formation 3 The syntactic word 4 The phonological word 5 Summary 6 The prosodic hierarchy 7 Syntactic juncture 8 Meaning-based prosodic structure Appendix Prosodic and syntactic word 10 Phonological phrase as a sandhi domain 1 End-based p-phrase 2 Supporting evidence for p-phrase 3 M-command or domain c-command 4 Lexical government 5 Rhythmic effect in Xiamen 11 From tone to intonation 1 Wenzhou tone system 2 Word-level tone sandhi 3 Clitic groups 4 Phrasal tone sandhi 5 Intonation phrasing 6 Tonic prominence Concluding remarks Bibliographical appendix Tone sandhi across Chinese dialects References Subject index Author index

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